Matt Eich tackles fatherhood, vulnerability within marriage, and the complications of family life in his new book “I Love You, I’m Leaving.” Pre-Order it starting now.
It’s been a whole two years since we published The Middle of Somewhere by Sam Harris. We took a moment to discuss what he’s been up to, why long term projects are fulfilling, and why it’s important to slow down.
We were honoured to accept the challenge of making a “trade edition” of a beautifully crafted handmade book dealing with the difficult subject matter that suicide is.
Interview with Agathe Rousselle, about her journey to San Francisco, to kill her demons by traveling and taking photographs.
Joshua Rashaad McFadden will be going to cities across the USA to speak about his new book ‘Come to Selfhood’.
It’s been a whole two years since we published Father Figure by Zun Lee. We recently spoke with Zun to catch up on things and learn of what’s to come.
I’ve also completed projects about police brutality, civil and human rights. With this project I wanted to be more personal, while still involving others.
We’re incredibly excited to be nominated for “Book Publisher of the Year” for two of our titles.
It’s been an entire year since we published The Middle of Somewhere by Sam Harris. We caught up with him and what he’s been up to.
Happy World Photobook Day! We’re doing a giveaway to celebrate.
How do you make a great book even better? That was our challenge when working with Yoshikatsu Fujii and Yumi Goto on the trade edition of Red String.
When Yoshikatsu approached us about a chance to collaborate, we were incredibly excited. This season, we will be working to produce and publish the “trade” edition of Red String.
Ilkin Huseynov: I remember visiting my father on the frontline when I was just two or three years old.
The story of Kabo and Hebo.
There’s no mystery in making a book, if we can do it, YOU can do it too!
The book is printed! Pre-order now, and your copy of The Middle of Somewhere will arrive signed by Sam Harris!
Devin Yalkin: The waiting period [when shooting film] where you don’t know exactly what the photo will look like creates a sense of longing, which for me forms a deeper involvement with photography.
Making a book is about matching what your fingertips feel to what your eyes see.
Everything must fall into place. It must click!